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Watin

by Aysanabee

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1.
Interlude 1 00:59
Ya I was eight years when I went to Residential School. Somebody from outside, the government person, said “if you don’t send your kids out, you guys, we’re not going to help you.” And so I went to school. We had no choice. It was 300 kids that went to school and I used to cry, I was lonesome. I was wondering why I was sent here. And I didn’t know why. What did I do wrong?
2.
Seeseepano 03:19
They took me from you father With a fist full of dollars A weapon that could starve us I don’t even know your name They took me from ya mother, They took me from ya sister Oh brother, I don’t even know I’m my name Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Is it god’s plan? They took me from my mother’s land They took me from my brother’s hand, Oh father, I don’t even know your name They took the words from my mouth and put ‘em in the ground I tried to dig them out But fading is their sound Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Is it god’s plan? Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Is he a good man? Father, I don’t recognize ya Can you tell me what you see when you turn and look to me? Oh mother, what have they done to me? Can you tell me what you see, when you turn and look to me? Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Is it god’s plan? Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Oh won’t you tell me, Oh won’t you tell me Is he a good man? Oh I don’t even know my name
3.
Interlude 2 00:56
I had no trouble with the kids. And, I told them, just have to watch themselves, if they try to speak English when there was somebody around. Speak their language, we’re gonna lose our language I told them, because you’re gonna be in trouble if you’re talking your language I told them, our language, Ojibwe and Oji-Cree.
4.
I see you praying tell me, what is he saying? I see you begging Is it to save you from burning? Oh did he write the book? Spell out every word? Did he kill your sons? Your bible can’t stop that But you can stop it with your sins and your good sense Oh did he write the book? Write it with whose blood? They’re bringing the fire Trying to set it all on fire They’re bringing the fire Trying to set it all on fire Ooooh If I fold my hands, If I’m begging please Tell me, will he see? They’re bringing the fire Trying to set it all on fire They’re bringing the fire Trying to set it all on fire
5.
Interlude 3 01:05
I was already eight years old at that time, we were going to school, she was very shy. She had little blonde hair, a little blonde hair here and there .I thought she was a white girl at that time. But she talked native language. Sat with her too, on the bus. We were going to school. We went to MacIntosh Residential School.
6.
Long Gone 04:17
They came and took us from our beds I didn’t know what was happening I was 8 years old I couldn’t even say goodbye I was told that there was not much time As we stepped into the cold Until we were long gone Until were long gone til we were They marched us down the road further from my home I stepped onto that plane sat down and saw your face that’s how 11 years go by Honey I won’t leave you here, honey I won’t leave this place, until we’re both long gone Just a little while longer by dear, know that I will always be here until we’re long gone Until we were long gone until were long gone til we are They tried to get inside my mind, but my heart is where I draw the line, I was 8 years old I didn’t understand their words, so they took me out, put me to work, but I saw your face That’s how 11 years go by picturing those quiet smiles my dear That’s how 11 years go by picturing a gentle life my dear Honey I won’t leave you here, honey I won’t leave this place, until we’re both long gone Just a little longer by dear, know that I will always be here until we’re both long gone Until we’re both long gone Until we’re both long gone Until we are…
7.
Interlude 4 00:50
We used to rest for an hour in class, got to go to sleep and if you lift your head up, that sister used to hit us, holy smokes. A lot of times, I felt like hitting back.
8.
War Cry 03:42
He was just a boy when the world was thrust upon his shoulders could barely lift an axe when he found himself in the wilderness He’s looking for a war cry but don’t know how He’s looking for a war cry words won’t come out Oooh A house can’t build a home It’s better off left alone A house can’t build a home It’s better off left alone He left those woods just like he should to carve out a world as best he could With heavy heart and muddy boot The moving part that cut the root Pulled up by the bootstraps He could chop em now He can earn his place if he chops them down A house can’t build a home It’s better off left alone A house can’t build a home It’s better off left alone He chopped em down to build this house But part of him is missing now He stuck it out in this big house It took this long to figure out A house can’t build a home It’s better off left alone A house can’t build a home It’s better off left alone It took this long to figure out A house can’t build a home
9.
Interlude 5 00:17
Seven years, I went only up to grade 4. There was a lot of us, if we didn’t know how to subtract, they put us to work.
10.
Here I Am 03:57
Here I am, working for the man that put me Here I am, good enough to use these hands Here I am, working for the man that took me Here I am, good enough to work this land Ooh There you were, you held the mercy in your hands There you were, instead of love you gave me wrath, Here I am, look me in the eyes Oh Creator, oh Creator Here I am Oh Creator, oh Creator Here I am I must have read that book a hundred times I didn’t find one thing to justify your uncivil lies in the name of civilization I just have a few reservations, I must have read that book one hundred times, didn’t see anything to justify, your savage tries, at such a savage life Oh Creator, oh Creator, Here I am Oh Creator, oh Creator, Here I am
11.
Interlude 6 00:59
Sister would tell us “laugh at him” they used to say, or “laugh at her” they used to bring the girls over to the boy‘s side, they made us sit down and they would bring the girls, sometimes… sometimes they’d bring my cousins, Sister said “laugh at them” because they weren’t listening and they ran away. They used to cut their hair short. It was maddening.
12.
Bones 03:48
Can I be changed I just turned my back For a second believe I just feel let down Did I become the enemy All that’s left is this feeling now Slow it down and just feel it out Take your time digging and reel it out Slow it down and just feel it out Believe your words before you shout them out It will be just fine if it all works out We need working hearts not hungry thoughts It’s better than this because I saw it once It can be so great because I felt it once I felt it once I felt it once You say it just in our bones Can never be change it can just grow old How do you know what you’ve never known? Or is just in our bones? Slow it down and just feel it out Take your time digging and reel it out Slow it down and just feel it out Believe your words before you shout them out
13.
Interlude 7 01:04
I used to take her out in the evening. After I finished working in the school at 9 o clock at night, so I used to take her out for an hour, talk things over and all that stuff. We’d talk about marriage and that. My parents didn’t want me to marry her. And also her dad didn’t want me to marry her and all that stuff So “what can we do?” I said to her, “get me pregnant” she said. Well, okay. That’s how we got married.
14.
River 04:16
Take what you need Leave what you can Words she told me Then took my hand We’ll brave the river Wait out the storm Hold on And I’ll keep you warm Oh the river.. We’ll meet by the reeds, In the ship we’ve weaved Hold on There’ll be grief We won’t get what we give So learn to forgive Look to me And learn to live Oh the river…
15.
Interlude 8 01:00
Mariane was born a year after. She was the smallest girl. About 6 pounds. That one year I quit, she was pregnant then already with Wally. So we took….that’s when we left. Just blankets and kids clothes. My clothes and mom’s clothes, we just left everything.
16.
We Were Here 03:45
They say that we can reconcile this, Put it in the past, They say that we can reconcile this, What if I can’t? It’s in our blood, It’s in our blood, It’s in our blood, It’s in my blood Why does it feel like we’re on the edge? Staring down at certain death Why does it feel like the story ends? Before it starts We were here in these fading memories, We were here in these fleeting stories, We were here in these disappearing words, Even when they stop losing meaning It’s in our blood, It’s in our blood, It’s in our blood, It’s in my blood We come we go just like the days, There’s light then dark, then the morning rays, I guess I know just like the snow, We fall we melt we fade away A month, a day, a week, a year Just like to say that we were here We were here in these fading memories, We were here in these fleeting stories, We were here in these disappearing words, Even when they stop losing meaning It’s in our blood, It’s in our blood, It’s in our blood, It’s in my blood
17.
Interlude 9 00:43
----------- means you want to shake hands, “Aandi ezhaayan” means “where you going” ---------- when are you going away? ---------- what do you needs --------- means my grandchildren are growing up Ebiyan that means Heaven.
18.
Ego Death 04:05
Have you come to take me home? Stories buried long ago Have you come to take me all? The selfish words that kept me full Tell me, have I lost my chance? The stories written in these hands… Oh, have you come to take me all? The selfish love that filled the hole Do I blame it on this restless feeling? Blame it on nomadic spirits? I’ve been here for too long I’ve only got myself to blame I’ve only got myself to blame I’ve only got myself to blame I’ve only got myself to blame I’ve only got myself to blame Oh no…. I used to say I don’t believe in Anything that leads to grieving But the only thing that’s worth achieving Doesn’t start with me I’ve only got myself to blame I’ve only got myself to blame I’ve only got myself to blame I’ve only got myself to blame Oh no… I’ve only got myself to blame I’ve only got myself to blame
19.
Nomads 04:03
Where do we go from here? Where do we go from here? Grandfather did we flip the script? Sure... Grandfather I think we’ve flipped the script, I’m sure… I was gone all these years Chasing all those different mirrors I was gone all these years Running from invisible fears “Sometime they used to beat the drum for an hour, steady, until our dead people come to us” I was gone all those years figuring you’d always be here I was gone all these years While you slowly disappeared Oh that blinding light Oh What a burning sight Oh your guiding light What if I’m afraid of the coming night? “They ask what we were doing, all that, and to be good…and they were with us. They were with us all the time. And they quit that once the old people died” I was gone all those years While you waited here I was gone all those years now i’m here, watch us reappear oh that blinding light Oh what a turning tide Oh your guiding light Know that you’ve passed the fire “…what’s your name they told me. Watin, Watin…. what’s your name.”

about

Aysanabee’s search for the opposite states of uncertainty, loss and pain bring a sense of reassembly in real time with his debut album, Watin. The album is a work of renewal, gathering the fragments of language, family and memory as an immense and intimate work of rebuilding. With two songs released over the summer serving as a thrilling preview, Aysanabee’s Watin is an emphatic artistic statement, more than the sum of its individually powerful parts. Watin is a whole, a highly personal concept album that tells its story as overlapping chapters, with two important narrators.

The album opens with one of nine Interludes, which place the voice of Aysanabee’s grandfather, album namesake Watin, in intimate conversation with the songs that surround the precious audio recordings. These Interludes ground and magnify the themes of the collection, where the small details that punctuate Watin’s childhood memories are the sparks that kindle each song’s blaze. Aysanabee’s hypnotic finger-picking is the rhythmic foundation of the collection, showcased on “Bringing The Fire” and standout “Ego Death,” which follows the final Interlude, in which Watin moves between two languages, bridging the gulf between the worlds Aysanabee seeks to make whole.

credits

released November 4, 2022

Produced by Hill Kourkoutis
Engineered by Hill Kourkoutis at The Lair (Barrie)
Drums Engineered by John Dinsmore at Studio Lincoln County Social Club (Toronto)
Mixed by Hill Kourkoutis
Mastered by Kristian Montano at Montano Mastering (Toronto)
Recorded at The Lair (Barrie) and Lincoln County Social Club (Toronto)
Album Produced by Hill Kourkoutis
Interludes Produced by Evan Pang

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Aysanabee Toronto, Ontario

Aysanabee’s voice introduces himself in a way that words cannot. Solemn and soaring, backed by a swirling blend of indie, soul and electronic soundscapes, mournful saxophone and pulse-quickening finger-picking, Aysanabee’s striking sound is equal parts hypnotic and melodic. ... more

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